I’ve just read one of those books that, after completion, forces the reader into the role of evangelist. Everyone I know who is remotely literate, I will come at with this book, saying You must read this. And then, of course, most of them won’t, or if they do they won’t love it the way I do, and then, however briefly, I will have to hate them.
The book is Pearl by Mary Gordon. It was just published this year. I’ve never read anything by Mary Gordon before, though she has a very distinguished literary career behind her and this is something like her eight novel. I will, of course, be hungrily devouring her others after I’ve given this one ample time to sink in. Either that, or I’ll shrink from them in fear, as I sometimes do with the other books by the author of a book I’ve just fallen in love with, because I can’t abide the thought of reading something else by them that isn’t this book. That, I’m fully aware, sounds completely insane. I usually get over it.
I could start by describing the plot of Pearl, or by listing its heavy themes. I don’t know which approach would be most likely to sell you on the book—and understand, my motive here is to make you read it. Well, all right. Here are the bare bones of the plot: In Dublin, winter of 1998, a twenty-year old American exchange student named Pearl chains herself to the flagpole outside the American embassy. She hasn’t eaten for six weeks or drank anything for a week, and is determined to die a public death by starvation, to bear witness to the human will to harm. There are smaller, more specific reasons for her act that tie into this larger one, to do with Irish politics and her disillusioned relationships with members of the radical wing of the IRA. Her force-of-nature, liberal mother, in New York City, receives word of what she is doing from the State Department, and flies to Dublin to save her life, undone by the realization that she does not know who her daughter is.
It sounds horribly bleak, and it is, but it exhilarated me for some reason. I think it is because Pearl takes on so passionately the questions that have haunted me for as long as I’ve been cognizant of how cruel human beings can be to one another. Such as, how on earth do you bear the weight of this knowledge? How do you understand your own capacity for harming others, and how do you fight for justice without becoming a destroyer? My identification and sympathies drifted from the mother and daughter in a very disconcerting way. In the beginning, I was as annoyed with the daughter as the police and embassy personnel who are grossly inconvenienced by her “witness.” How on earth could anyone believe that voluntary death by starvation serves anyone or anything? No one has any idea what to do with the self-starving first-world witness, but the book makes us see the dangers of dismissing her offhand as selfish or pathetic.
Then I meet the mother—she’s the kind of liberal I’ve never understood, the person who works for the right causes without ever understanding what it means to feel despair, who has never tried to see the victims of oppression as people, even though she’s build a life around the fight for justice. To the question “How do you bear the weight of such inhumanity?” she can only answer, “Why would you try?” And to a daughter who despairs over the human capacity for harm: “Haven’t I protected you from that?” You want to shake her for her lack of imagination, and yet she has a kind of wisdom that people like Pearl work years for: that a person isn’t meant to know the meaning of everything, that all we can do is what’s in front of us. The problem, for Pearl (and for me), is how her mother got there; her politics are developed out of reaction, not empathy.
There’s another theme in the book that struck me powerfully—that is the desire for purity, and its relationship to martyrdom. I’m sure that some people will label this an “anorexia book” because of the centrality of self-starvation to the plot, but Pearl is not concerned with being fat—her anorexia, if that is what it is, hardly falls into our popular understanding of this disease, though perhaps it should, I don’t know. She starves herself in emulation of Irish prisoners of the British who went on hunger strikes, and then to pursue a sense of lightness that eliminates the dirt of humanity. Purity. In flashbacks, we learn about Pearl’s father, a Cambodian doctor who came to the United States to tell the stories of the Khmer Rouge, but ultimately returned to Southeast Asia and disappeared. He is concerned with purity, as well, but in his case it’s a well-informed fear of the whole concept: “…it is a dangerous idea. I am a scientist, and I know that nothing alive is pure. To be pure is to be impervious to change, to mixture. Change and mixture is our lot, our lot as living things.” And, “It seems greatly desirable to be only one thing. To be, to do one thing fully, with no contradictions. To be a closed circle, impenetrable, impermeable. This, I believe, makes people feel safe.”
We see Pearl as a closed circle, when starvation has whittled her down to nothing but certainty and the conviction that her own actions are right and justified. Then, as she is force-fed through tubes, she gains back her capacity for hunger, and the messiness of being human shatters her purity. She loses the conviction that death is the right choice for her. She is devastated at her loss of certainty. It’s one of the most resonant and chilling things I’ve encountered in fiction for a long time. In eliminating all of her own doubt, she forged a connection to the people she feared, people so secure in their own convictions that they had no understanding of what it means to take life.
Gordon doesn’t try to resolve any of this in a neat package, which is part of what makes this novel great. I’m no literary critic, but I’d say great in the weighty sense. This is one of the best modern novels I’ve ever read. I’ve passed the stage where it’s fun to have a birthday, but one of the rewards of getting older is that I can read something like this and think, Yes, I understand this. I know what she’s talking about.
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